Commentary for the Sun: My response on August 17

On Monday, August 17, a group of us went to Emerson Alumni Hall to have our presence felt. The faculty of the College of Journalism and Communications, we found at short notice, were to gather there for a retreat before the beginning of the school year. We decided to stand in front to greet them as they came it. We serenaded them with a duo of cellists, held signs stating our position, and wished them a good morning as they went in.

Nathan Crabbe of the Chalkboard column of the Gainesville Sun was among the reporters who came to the event. He posted an entry in his blog at the newspaper website, and his entry gathered comments (as entries on this subject always do).

I submitted a response, but whether because of its length or the lateness of the hour, it did not appear. This is what I wrote.

In the midst of all the turmoil at the College of Journalism and Communications, it is important to know that the *only* one of the media outlets which was not a fiscal albatross was WUFT-FM. People believed in this station and its format and supported it very generously. As the operator of the classicgvl.org website, I have been able to read the great outpouring of support that people have for the station's departed format and the anguish--and anger--they feel now that it is gone.

The station was stolen from the community that loved it! In a matter of weeks, the college destroyed the years of goodwill that the station built up. Why are people so upset? For years we were told that this was *our* station, that the management would be attentive to the desires of the members. We opened our hearts and our wallets. I myself pledged twice a year. My own pledge in that record-setting April drive was $365, and I was planning to repeat that in the fall drive just because of the weak economy. I have talked to many disappointed people whose pledges were more than that. Now it's all going down to a big fat zero.

Of course, NPR is a good thing. Many of its shows are excellent, and even its most banal programming is a cut above the usual commercial offerings. All the same, it is packaged at places far off, and is available all over the country at many different outlets. Please understand that we who loved WUFT-FM, and supported it generously, are now in poverty--not a material poverty, but one that is worse. NPR programming was available in many ways even before the change in programming, but the WUFT music programming that spoke to our own community is now greatly reduced and much harder to get. Recordings do not keep up with the very lively currents in music--yes, even that "dead" classical music.

HD radio is a poor substitute. The HD signal has not been as reliable as the analog signal, and it has a very limited range. The radios are expensive and hard to come by, and the selection is meagre. Internet streaming works all right--unless the network is congested or the web server is down (as it was this weekend).

I get to be truly fatigued with talk radio and desire for the nurturing of the mind that only good music can provide. Good music takes many forms, not just classical. WUFT was not a monoculture, but a wonderful, diverse mix. I know that I speak for many other people when I tell you that I miss the old format greatly and that the new format leaves me cold. It's not a matter of agreement or disagreement with perceptions of the political views of NPR--WUFT's music fans run the gamut of the political spectrum. It is that we want music, not talk.

It kills my soul to know that many of the wonderful people who worked at the station are now laid off. It was all so very unnecessary!! This was the operation that paid its way, and now they have killed the goose that laid the golden egg. This move was extremely foolish.

On June 5, Dean Wright announced that he was beginning "a year-long process" that would be "transparent" and that staff would be "kept abreast of planned changes". I don't know if the whole thing will take a year, but I do know that it has been anything but transparent. The firings last week came out of the blue.

Those of you who favor the change in format should be aware that the change was made stealthily. It does not befit a public station, and it certainly does not befit the spirit of openness that we have come to demand of our government. One would think that a journalism college, part of a state institution, and sponsor of a website devoted to open government, would itself be open. One would hope.

As for me, I hope we can turn the tide. Music and news might be able to coexist, but in any event we demand that the music return.

Hey Mike, It is Frank Bracco.

Hey Mike,

It is Frank Bracco. Just wanted to let you know that a week or two ago I sent a little write-up that you can use for the Blues & Jazz page through the contact page. I also sent a copy to Ms. Sue. I would have e-mailed you, but I did not have a phone number. Feel f ree to shoot me an e-mail at frank0051 [at] yahoo [dot] com

Also, something that blues and jazz fans might find interesting: On Sept. 20th at 5PM the North Central Florida Blues Society will be having their Blues Challenge (a qualifier for the International Blues Challenge) at The Kickin' Devil Cafe in Gainesville. I will actually be coming back into town to help with the judging.

Additional disadvantage of the internet stream

I agree wholeheartedly with eveything that Mike said in the above beautifully-written comments. I just want to add one comment of my own. The greatest objection I have to the Internet streaming is that I can only hear it when I'm sitting at my computer! As soon as I walk to another area of my house, I can't hear it any more, or, when I'm nearer, it becomes faint and unintelligible -- an annoyance.

Previous to August 3rd, I could hear the programming that I loved throughout my house with the beauty and clarity provided by my four big home stereo speakers. The internet stream is certainly no substitute for this, and the HD2 stream holds all the disadvantages that Mike listed above.

Bill Beckett and The Caravan

As a result of the "cost-cutting and reorganization" at WUFT-FM, Bill Beckett, director of programming, has lost his job and will be gone within a year. In addition to the expertise and taste he brought to the station's programming, he created and hosted The Caravan (Saturdays at 8 PM), which is/was one of the most well-crafted, beautiful and interesting presentations of quality music I've ever heard. Though not classical in its orientation, the program ranged across genres and time periods, each time creating thoughtful, emotional and often spiritual musical gems that always resonated deeply. I have thanked Bill several times for his contributions to our musical environment here in Gainesville, and I am having trouble understanding any logical or economic reason for dismissing him. It smacks of behind-the-scenes politics, and it angers me deeply.

Caravan and Piano Jazz

I, too, love Caravan -- I'm so glad it's still on the schedule for now! But when Bill Beckett leaves, it will be a terrible loss.

Another wonderful program that is gone from our airwaves already is Piano Jazz, with Marian McPartland. My family and I have listened to Piano Jazz on Friday evenings for years -- we loved that show! -- but I never once pledged for it. I never realized that it might be threatened, and I pledged for other programs that I also value. I'm sure this is true for many people; the pledges don't always reflect the value of the show to our community. There are no CD's that I can play that can substitute for the loss of McPartland's show, or for the many other wonderful music programs that were included in our former mix. Even if I can find Piano Jazz on the internet, it's no substitute for having it available on analog radio, because I can only hear my computer speakers when I am near to my computer. This just isn't practical for me, for the most part.

Caravan and Piano Jazz

I do not usually write editorial letters or blog. The death of music on WUFT is absolutely depressing to me. Really good music on Gainesville radio stations does not have much of a shelf life. I am from NY. My parents were huge jazz fans, which eventually rubbed off on me. My (now deceased) Mom loved listening to Marion McPartland and turned me on to her. I have been a loyal listener for the last fifteen years. I always looked forward to hearing Marion on Friday night. It's actually insulting to me that they removed her show. How many 90y/o jazz pianists does anyone get to consistently hear, on a weekly basis? I also did not see her program on the HD listing and don't really want to buy one more expensive listening device, when I already own several.

I'm not sure I even want to get started on what I think about Bill Beckett!!! What could they be thinking?!!!! Bill is a special hometown resource. From the above letters, anyone can see there is much love for Bill and his show. It's not the kind of programming you can find anywhere else. Even, my 14 y/o son listens to the Caravan!

I work at UF and (sadly)do not make a bunch of money. I have not been able to pledge and now I no longer feel guilty about that. Almost relieved that I didn't contribute this year.

It's all very sad.

Bill Beckett and The Caravan

As a result of the "cost-cutting and reorganization" at WUFT-FM, Bill Beckett, director of programming, has lost his job and will be gone within a year. In addition to the expertise and taste he brought to the station's programming, he created and hosted The Caravan (Saturdays at 8 PM), which is/was one of the most well-crafted, beautiful and interesting presentations of quality music I've ever heard. Though not classical in its orientation, the program ranged across genres and time periods, each time creating thoughtful, emotional and often spiritual musical gems that always resonated deeply. I have thanked Bill several times for his contributions to our musical environment here in Gainesville, and I am having trouble understanding any logical or economic reason for dismissing him. It smacks of behind-the-scenes politics, and it angers me deeply.

Bill Beckett

Bill Beckett will be greatly missed in my household. I always looked foward to the improvisational quality of his program. Many a supper dished has been washed trying to figure out what thread, if any, Bill was trying to weave through his hour long set. I was always delighted and often surprised. And this illustrates something that I think a lot of the talkhounds are missing in making the argument that we music lovers can simply put on a CD if we want to be entertained. Namely, I'm a Mozart, Mehndolsson, Schubert sort of guy. I'm never going to conciously walk over to my CD stack and put in any Benjamin Britten. My audio bias is too great. BUT, the staff at WUFT would and they would draw me into it with information and stories that peaked my curiosity, so that, before I knew it I was listening to Britten and enjoying it, bashing myself for not being more openminded. I already miss the challenge and education that I've recieved from WUFT staff for 15 years. Alas, I'm sure Bill saw the writing on the wall.